Clear Eyes. Full Hearts. Can't Win?

I am an Emmy voter. And boy was I happy when buried in the mailbox onslaught that included discs for Gene Simmons' Family Jewels and George Lopez and Lifetime movies and that Kennedys atrocity, I got the complete set of the 13 episodes of Friday Night Lights final, fifth season (above). Last night I devoured the last three episodes, which will air in the next couple of weeks on NBC.

Kyle Chandler as Coach Eric Taylor

Well, not devoured, really, I kept hitting the pause button, to wax nostalgic over a familiar face like Adrienne Palicki and Jesse Plemons who had graduated and left seasons ago -- but really,  to just extenuate the inevitable final lights-out. Because nothing like it will come this way again any time soon. A realistic show about people with realistic relationships, feelings, hardships and triumphs in this era of Jersey Shore, Glee and Desperate Housewives, was a major miracle.

It's part of the sad saga of FNL's undeservedly checkered airing career that instead of there being a hugely anticipated finale night like The Sopranos that everyone tunes into at once, many people will have already seen it.

Divorce Is Hot

Divorce is a rite of passage -- like losing your virginity, marriage, becoming a parent, going through illness and losing your parents -- that you can hear about forever, but not really understand until you've experienced it yourself.

But unlike those other examples, which are generally honored and supported by societal rituals, divorce is quite isolating. There aren't greeting cards or parties or showers, there are only ruptured friendships, an underlying sense that you might be contagious, or that you have torn up the societal contract.

So I was fascinated to read that with much fanfare, prominent divorcees Nora Ephron and Arianna Huffington have unveiled

Double Takes

Zosia Mamet on "Mad Men" (left) 

In the old days, actors who lucked into a recurring role on a TV series faced the double-edged sword that people might not be able to ever think of them as another character. (Hello, Shelley Long!) 

But lately a small cadre of talented actors are showing up on multiple, quality shows and playing a wide range of characters, simultaneously.

One of the first reappearing actors I noticed was Kim Dickens [left], who within a few years was breathtakingly convincing as: a prostitute on Deadwood, as Sawyer's fellow co-artist girlfriend on Lost, as Matt Saracen's wayward mom on Friday Night Lights, and as the hardworking chef on Treme [below, right].

So, why the new multi-casting? Several factors are involved. I'm sure part of it is the current Hollywood caution of "round up the usual suspects." And of course sometimes it's a new series trying to draw on the fan base of a previous hit, as when Flash Forward poached Lost's Dominic Monaghan and Sonya Walger.

But sometimes there are shows like The Wire and Mad Men that are just so stellar that everyone in town watches and wants to re-use the actors (Hey, there's The Wire's Idris Elba on The Office! There's Mad Men's Maggie Siff on Sons of Anarchy!)

Sometimes it's that the showrunner of one series (Friday Night Lights' Jason Katims) also runs another show (Parenthood) and values an actor beyond what we've seen. (He brought FNL's Minka Kelly onboard Parenthood.) 

But also, the new cable series model of 13 episodes has freed up actors from prohibitive contracts and work schedules in ways that weren't possible before. And creators and audiences would rather see great acting than a constant churn of new starlets. 

Whatever the cause, I find myself doing double takes -- wait, Gabriel Byrne's daughter on In Treatment (Mae Whitman) is now Lauren Graham's daughter on Parenthood. And his son is played by the suddenly grown-up Alex Woolf of the teen idol Naked Brothers Band. 

Here are three young performers who have shown remarkable double dexterity in the past TV season or so: Zosia Mamet as Joyce the lesbian who befriends Peggy on Mad Men and the wayward teen friend of Mae Whitman's on Parenthood; Allison Brie as Pete Campbell's uptown wife Trudy on Mad Men and the repressed Jewish Annie on Community; and Michael B. Jordan, who sported dreadlocks on The Wire as the young drug dealer Wallace, then transformed as Friday Night Lights' Vince Howard from the son of a crack addict and inmate to a star quarterback; and as of late October showed up on Parenthood in a mustache and wholly different guise, as a homeless volunteer coordinator that Haddie gets a crush on. They convey the confidence that we'll be seeing more of them.

Allison Brie on Community

Allison Brie on "Mad Men"

Zosia Mamet on Parenthood (left)

Michael B. Jordan on The Wire 
and Friday Night Lights

Michael B. Jordan on "Parenthood" 

The Fall of Fall TV

Considering how few channels there were when I was a kid, I watched an unhealthy amount of television. When Batman switched from black-and-white to color, the kids in my neighborhood worked out a whole rotation so we could go to houses with color TVs.

And when Fall rolled around, I didn't care about falling leaves or back to school, but the new TV shows. I waited for TV Guide's Fall Preview with the same avidity guys now pine for the Sports Illustrated Swimsuit Issue. For a few years, I even compiled my own scrapbook of daily ads from the New York Times, organized by network, with a hand-drawn grid of what my favorites were.

I was thinking about that era this fall, because,